One of my traditional publishers paid me in September. I was surprised. Not because I didn’t know about the money. I did. It was an advance for rights in translation for an entire series of books. I was surprised because the contract called for payment to arrive within 60 days of the contract’s final date…and lo and behold, the payment arrived just like it was […]
In the Wild West, gunslingers populate the legend of many a dime novel. And Renn knows her way around a gun—and a book—better than most of them, including her famous brother, who can credit his skills to Renn.
So, when the strange little men show up looking to hire her missing-in-action brother, Renn takes the job. And she soon realizes she’ll need every bit of her gun skills and book learning to finish it.
“Renn and the Little Men,” by New York Times bestselling author Kristine Kathryn Rusch is free on this website for one week only.
I mentioned a few posts back that I would have a lot of news this fall. And I do. It stuns me. First, let me thank all the people who have supported the Pulphouse Kickstarter so far. As I write this, we’ve hit two of our stretch goals and are halfway to the third. The first stretch goal guaranteed an extra electronic issue of the […]
When you come to my website right now, it’s rather hard to ignore the fact that we’re running a Kickstarter. I have a Kickstarter widget tracking our progress in real time, and I blogged about the Kickstarter on Friday. The Kickstarter will help us revive Pulphouse Fiction Magazine, which we stopped publishing 21 years ago, when we shut down Pulphouse Publishing. Dean has talked […]
I spent a delightful week of the month reading stories for the Mystery Workshop that I conducted here on the Oregon Coast. The writers were truly spectacular and even the stories that missed some details were wonderful to read. I could envision them in any of the mystery markets. I can’t point out the stories to you at the moment, but will if I see […]
I’ve been exceedingly lucky and damned determined all at the same time. I have arranged my life around the writing. Unlike most people, I almost never have to arrange my writing around my life.
I was trained in traditional publishing, where writers go begging for opportunity. Writers are taught to beg, from professors (let me into your class!) to critique groups (is my writing good enough?) to agents (will you take me on?) to publishers (will you buy my book?).
We’re not trained to value what we’ve built.
I blame Marvel. As I finished my Kris Nelscott/Smokey Dalton novel, Stone Cribs, I realized that the victim in the book, Valentina Wilson, was one amazing woman. And she needed a story arc all her own. I knew how she was going to end up, and who she would be years after the events in Stone Cribs, but I needed to write the story […]
Oscar cleans portable toilets for a living. He loves the job—it takes him to beautiful isolated places, like the Lonely Rocks Wayside on the Oregon Coast. Nothing really grosses him out either—until he discovers the body, slashed to death, with a knife still in the chest. Then he sees a break in the guardrail above the ocean, a second car, a ruined bicycle, and Oscar realizes his troubles have just begun.
“Incident at Lonely Rocks,” by New York Times bestselling author Kristine Kathryn Rusch is free on this website for one week only.
I remember how overwhelming it was for me to make the transition to mostly indie. I’m not entirely indie. My short fiction is still hybrid, as is all of my work in translation. But I can’t see any situation where I would ever go back to a traditional publisher for my novels. The contracts are awful, the lack of support profound, and the benefits nearly nonexistent.
The traditionally published writers who are being cut loose or who are being offered terrible deals are just beginning to realize this. And they’re at a complete loss as to what to do.
I feel for them. I really do.