Nowadays, indie writers hire their own copyeditors. And worry that the copyeditor knows more about details of grammar than the indie writers do. Chances are the copyeditor does know more about the details of grammar than the writer does. Chances are the copyeditor even knows the parts of speech. But the copyeditor does not know how to tell a good story. The writer does.READ MORE
I’ve been very frustrated in the last several weeks because some of my preconceptions got blown out of the water. I’ve been dealing directly with some traditionally published writers for various projects, and some of the things I’ve encountered have been head-shaking. I’ll be blogging about a few of those things in the future, with the names changed to protect the—innocent? Ignorant?—I’m not sure which label to use. Suffice to say some of the things I’ve run into are simply and completely unbelievable to me, in 2016….READ MORE
Book-shaming. I’ll be so happy if that term disappears because we no longer need it. Right now, however, I think it has moved to another part of the industry. Writers are suffering a lot of book-shaming right now. Or should I say publishing-shaming.READ MORE
Want to know the future of publishing? You’ll find it in TV. I know, I know, a bunch of you just went, “Huh?” But seriously, the entertainment industry is the entertainment industry is the entertainment industry, and those of us who write and publish have a small corner of it. I often use examples from […]READ MORE
A lot of the stories I read this past year had wonderful plots. They had great characters and lovely twists. The stories were published, remember, and so they all had something unusual, something strong.
But that something generally wasn’t voice….READ MORE
Boy, I’ve been seeing a lot of crappy contracts lately, and not at all from the place I would have expected. I expect bad clauses in traditional publishing contracts. Too many writers don’t hire intellectual property attorneys to vet those contracts, relying instead on agents, and that leads to all kinds of terrible book contracts. […]READ MORE
As promised, I’m doing a lot of catch-up on the state of the publishing industry at the beginning of 2016. The reading is illuminating. Many things seem similar to the situation at this point last year, and many others seem so wildly different that it’s hard to believe only a year has gone by. I […]READ MORE