Writers obsess about how many people they have on their newsletter, whether those names are “good” names, what kind of marketing they should do for those people, what kind of writing they should do because of the newsletter, whether the last marketing campaign brought in “good” names that converted to real dollars, whether five impressions with click-throughs and buys are better than fifty impressions with click-throughs and no buys yet.
If we end up obsessing too much…
I am fully aware of the fact that the problems I’m having are problems I would have traded up for thirty years ago. I’m also fully aware that these problems aren’t really problems at all.
I’m hardwired to jump at opportunities. One of my biggest complaints about my agents, back in the days when I had agents, was how many opportunities those folks failed to jump at. Or screwed up. Or ignored completely.
I’m a writer first, and as a writer first, anything that puts me behind on getting to my fictional worlds irritates the hell out of me.
We finished the annual anthology workshop on Saturday. Forty professional (or professional quality) writers, gathering for a weeklong discussion of the fiction they wrote, and networking, and all kinds of fun things. Lots of great discussions on what makes good fiction. Lots of great discussions of craft and art and short fiction in general. Lots of great discussions on the changes that are looming […]
Lots of reading this month for the anthology workshop at the end of the month, plus some line editing. I still managed to find time for some other reading, but it was a push. I got a new mystery from one of my favorites, started it, and immediately stopped. Turns out our newly retired hero has just been diagnosed with COPD. Having dealt with death—and […]
Because dozens of you have asked me, both privately and in comments, how I write with a chronic health condition.
There really is a trick to the writing while chronically ill. But the trick is personal, and it’s tailored to each individual person.
So, more personal stories—and then tips.
If the indie writers who made a lot of money in 2012-2014 had followed this advice, they’d still be writing and publishing. Sure, their incomes would still be down, along with their sales, but their careers would continue.
What happened to these writers?
Well, they will say that their sales went down to unsustainable levels. Those writers will say there’s no point in continuing now that they can’t make the same kind of money they made in 2013. Those writers will say that writing, as a profession, is impossible.
And it is, if you don’t understand money management.
I’m tired. Emotionally tired. My world is changing, and personally, I wasn’t prepared for it. That my world is changing while the greater world—the real world—is also changing is just serendipity, I guess. I’ve blogged about the larger changes, just a bit, talking about how to write in dark times, but some of that post is also about writing while bad things are happening to […]
The letter from the indie writer encapsulated a lot of things that are happening in the field right now, and I thought I’d analyze those. I also figured it was timely, considering this indie writer wasn’t the only writer in the past month who had sent me email about recommendations on their prose from other “more successful” writers.
I don’t know what it is about the beginning of the year that brings out these insecurities. Maybe it’s the fact that many of us use the end of the year for reflection and then try to plan the upcoming year.
What struck me about this indie writer, and the reason I’m using her as an example, is that this incident is ramped up from the usual incidents.
I spent the first part of January line editing a Fiction River volume, watching disaster movies, and reading romance novels. I cannot explain any of this, except that I enjoyed all of it.
Sometimes, art provides a different perspective, a new way of thinking about important things. And sometimes, we just hang out with a little boy wizard fighting a big powerful evil because it entertains us.
This is not light stuff. It is not unimportant. It is extremely important.
As I said, I wrote about this in October. But I didn’t tell you how to keep practicing your art in difficult times. So let me add that.
So…how do we do our jobs when our world is on fire?