Control. It is at the heart of any negotiation. All business owners want to control as much about their businesses as possible. We all know that you can’t control everything in life. That rule also applies to contracts….Read More
Over the years, I have become fascinated with writers’ attitudes towards contracts. Writers are so very cavalier about them. Most writers pay no attention to their publishing contracts at all until some term bites them in the ass. Then the writer tries to figure out how to get out of it, not realizing that they got themselves into it by signing the contract without examining it. Indie writers have a different problem with contracts. Indie writers believe they don’t need any…Read More
I have come to the point where I can’t ignore the contractual changes in the industry any longer. The topic has become so large that I will probably end up with two books out of it: The revised Dealbreakers, and a book on contracts. When I start discussing contracts, most indie writers tune out. But they shouldn’t. Indie writers sign contracts all the time. Some are for foreign editions. Some are for short fiction. Some are with their cover designer. Some disguise themselves as terms of service.
Not everything I write here will apply to the indie writer, but much of it will.
Remember: the more you understand about this business, the better off you will be. And the harder it will be to take you off-guard….Read More
Normally when I have blog with this title, I’m discussing the choices writers make in this new world of publishing. But this blog is different. This blog is about consumer choice.Read More
As I wrote earlier this year, the changes in the publishing industry continue to smack me in the head. I learned the old publishing industry very well—the one that existed from the mid-1970s to the late 1990s. I survived the early 2000s, and then indie publishing came along. I started this blog—in a different form […]Read More
Nowadays, indie writers hire their own copyeditors. And worry that the copyeditor knows more about details of grammar than the indie writers do. Chances are the copyeditor does know more about the details of grammar than the writer does. Chances are the copyeditor even knows the parts of speech. But the copyeditor does not know how to tell a good story. The writer does.Read More
I’ve been very frustrated in the last several weeks because some of my preconceptions got blown out of the water. I’ve been dealing directly with some traditionally published writers for various projects, and some of the things I’ve encountered have been head-shaking. I’ll be blogging about a few of those things in the future, with the names changed to protect the—innocent? Ignorant?—I’m not sure which label to use. Suffice to say some of the things I’ve run into are simply and completely unbelievable to me, in 2016….Read More
Book-shaming. I’ll be so happy if that term disappears because we no longer need it. Right now, however, I think it has moved to another part of the industry. Writers are suffering a lot of book-shaming right now. Or should I say publishing-shaming.Read More
Want to know the future of publishing? You’ll find it in TV. I know, I know, a bunch of you just went, “Huh?” But seriously, the entertainment industry is the entertainment industry is the entertainment industry, and those of us who write and publish have a small corner of it. I often use examples from […]Read More