This past week, I’ve talked with a lot of writers about writing to market. Not just because of last week’s blog post, but because I had done a group author signing at Powell’s on Sunday, and the topic came up again. At dinner after the signing, one of the writers asked, “What market are indie writers writing to?”
Marie Force wrote a lovely blog post this week on the five-year anniversary of her major success as an indie writer. She busts a few myths about her career in the post, and she’s very clear about her numbers, and the events that came together to launch her success. She’s written something similar before, but […]
Writers miss opportunities all the damn time, because writers are hard to reach. I don’t know why they think they need to be hard to reach, but they are.
One of my writerly email groups opened a thread on translations this week. In particular, the group wanted to know about Babelcube, a website where writers and translators can meet and, with luck, work on a project together. On one of my panels at MileHiCon, I had discussed having your books available in other languages. […]
What a week. I have a lot of news to share, most of which will save you money….
It used to be that everyone on the panel would give the same answer to basic questions. On the basic how-to-get published questions, there was only one answer, and it was the same for writer after writer after writer. Now, the basics differ depending on who you talk to. We all agree on craft issues. But when we move to how to get published, writing panels actually get contentious….
It’s a very different world, so different, in fact, that I have to weigh each and every trip for the time it will take away from the connectivity. Conventions often mean that I’ll be slow to respond to business contacts and I’ll get behind on the projects I already have lined up. Instead of being something that generates work, conventions have become something that interfere with work.