Yeah. It’s been over a year since I’ve done a recommended reading list. It got lost in the noise of everything else I’ve been doing. I’ve had people ask for it to come back, and then I got a lovely email with an embedded photo of Puss in Boots from Shrek, hat off, begging for the list to return, and saying if I didn’t have […]
All of us who indie publish our work are pressed for time. And even if we’re early adopters, we don’t adopt every change. We can’t. We make a cost-benefit analysis of each innovation to see if it’s worth our time to upgrade.
September 11, 2001 was a Tuesday. Here on the Oregon Coast, as in New York City, Pennsylvania, and Washington, D.C., it was a beautiful fall day. Sun out, clear blue sky. And horrors, everywhere. I was in the middle—quite literally—of writing one of my Smokey Dalton novels. Set in another terrible time in American history, those books are emotionally dark, hard to write, and harder, […]
No longer can any writer say that she is “just” a writer. Now, if we want our books to be read by someone other than our families, we need to publish those books one way or another, and then market those books.
There is no more “just” any more.
I think it becomes imperative for all of us to figure out exactly what we do.
I admit: I debated about whether or not to write a blog at all this week. I’m so overwhelmed with so many projects that there is no surface. I actually made the analogy to Dean this week that I’m so deep underwater that if someone poured a bucket of water on top of me, I wouldn’t feel it any more than a sea creature on […]
Late Saturday night, I finished teaching a writing workshop about history, alternate history, and time travel for professional writers. We read a bunch of books, worked on technique, and talked about turning points in history. Turning points are important for time travel and alternate history. Identifying turning points and then postulating what would happen if something went differently is an essential skill for the time […]
While I was digging deep into the ugliness that traditional publishing contracts have devolved into, the indie publishing world has grown and changed and become even more positive. More than a light at the end of the tunnel, the indie world has become a haven to those of us willing to work hard and to understand that real achievement takes time. It amazes me how […]
I’m great with schedules. I have a dozen calendars, all with great purpose. I have a computer calendar that notifies me of deadlines and future projects.
It all works—when I have writing deadlines. I set it up for traditional publishing writing deadlines. I have never put promotion on my calendar. Ever. Because I do the minimal amount.
But this fall, failing to put even the most minimal promotion on my calendar has led to a series of problems.
For the past several months, I’ve focused on contracts, contract negotiations, rights, and dealbreakers. I know I lost some of my indie (self-published) readers, who are waiting until I finish this series before they return to reading my blog. Those readers believe they will never sign the kind of contract I’m dealing with. They also believe that they’re protected because they’re in business for themselves. […]
Grand Central’s parent company Hachette is suing Grahame-Smith for $500,000, the advance on that second book of this contract.
Figure this: The publisher believes it’s better to sue the author than it is to leave that $500,000 outstanding. There are several reasons that Hachette could have made the decision to file suit.
Expect more of these kinds of suits in the future. If the writers who got huge advances do not meet their obligations with the publishers, the publishers will cut their losses and run as fast as they possibly can.
But what does this suit have to do with the contracts/dealbreakers series?
For the first time, I can share with you a complete publishing contract.