I just had the most illuminating conversation. I had been consulting with someone about one of the TV deals I’m currently negotiating. I had run into a situation I had never encountered before, and I needed help evaluating it. No one I knew personally could help me. Either my good friends had not done a TV deal in years or they had let their agent […]
I’m almost terrified to write this post. Shortly after I wrote the last one, my year imploded—and it had been a tough year anyway. Until today, I had actually forgotten that I had written the third process blog. All of the things I developed lasted about two weeks, before I tumbled off the edge of the universe into real life for a while. I […]
One of my traditional publishers paid me in September. I was surprised. Not because I didn’t know about the money. I did. It was an advance for rights in translation for an entire series of books. I was surprised because the contract called for payment to arrive within 60 days of the contract’s final date…and lo and behold, the payment arrived just like it was […]
I mentioned a few posts back that I would have a lot of news this fall. And I do. It stuns me. First, let me thank all the people who have supported the Pulphouse Kickstarter so far. As I write this, we’ve hit two of our stretch goals and are halfway to the third. The first stretch goal guaranteed an extra electronic issue of the […]
When you come to my website right now, it’s rather hard to ignore the fact that we’re running a Kickstarter. I have a Kickstarter widget tracking our progress in real time, and I blogged about the Kickstarter on Friday. The Kickstarter will help us revive Pulphouse Fiction Magazine, which we stopped publishing 21 years ago, when we shut down Pulphouse Publishing. Dean has talked […]
Okay, full disclosure here: Very little in the title of this post is true. I’m not a slacker. I got behind due to Life Events. (See this week’s Business Blog.) Then I spent a week catching up. And then I taught the Mystery Workshop here on the coast—and had a blast. Great storytellers, every one of them. Sunday, I face-planted. But I had work to […]
I’ve been exceedingly lucky and damned determined all at the same time. I have arranged my life around the writing. Unlike most people, I almost never have to arrange my writing around my life.
I was trained in traditional publishing, where writers go begging for opportunity. Writers are taught to beg, from professors (let me into your class!) to critique groups (is my writing good enough?) to agents (will you take me on?) to publishers (will you buy my book?).
We’re not trained to value what we’ve built.
I blame Marvel. As I finished my Kris Nelscott/Smokey Dalton novel, Stone Cribs, I realized that the victim in the book, Valentina Wilson, was one amazing woman. And she needed a story arc all her own. I knew how she was going to end up, and who she would be years after the events in Stone Cribs, but I needed to write the story […]
I remember how overwhelming it was for me to make the transition to mostly indie. I’m not entirely indie. My short fiction is still hybrid, as is all of my work in translation. But I can’t see any situation where I would ever go back to a traditional publisher for my novels. The contracts are awful, the lack of support profound, and the benefits nearly nonexistent.
The traditionally published writers who are being cut loose or who are being offered terrible deals are just beginning to realize this. And they’re at a complete loss as to what to do.
I feel for them. I really do.