For years, I’ve enjoyed the Chicks in Chainmail anthologies, edited by Esther M. Friesner. Humor, fantasy, warrior women…what’s not to love? A year or so ago, she asked me to be in the latest volume, Chicks and Balances, which she edited with John Helfers. I thought about it, wasn’t really inspired by actual chainmail, so I thought about what armor really is, and when it’s needed…and somehow, I ended up at the Academy Awards, on the red carpet, with demons. Yeah, that makes sense—in a Rusch kinda way.
I cringe at times, because I came of age when the arguments were loud, particularly in sf, about what was and wasn’t appropriate for the genre. Whether I agreed or not, those arguments went in.
It took me forever to write space opera, and it took some creative traditional editors to buy it. Nowadays, we can publish what we want, indie if traditional publishing doesn’t want what we’ve done, and public opinion shouldn’t make a difference.
Rowena runs the House, a place for homeless Sky veterans. The House, open only to the women who compose the Elite Squad, has only a few rules: No names, no details, no weapons. The problem? Anything can become a weapon—even a toilet bowl scrubber. Even a word. Especially a word. A word that could destroy […]
Bad news, everyone. I’m afraid I won’t be at Worldcon after all. Yesterday afternoon as I was doing errands before leaving for Spokane, I had a run-in with the rental car. The car is okay. I am not. I spent some time in the emergency room that evening. I will see a specialist today, but I felt […]
LizBet wants to accept Van’s marriage proposal, but she can’t say yes until she figures out what to do about her last name. Should she take his? Should she keep hers? Such a simple thing. How come it feels so hard?
I admit: I haven’t read enough Leigh Brackett. I fell in love with her stories as I read for the women in sf anthology. I’m beginning to believe that all sf roads ride through Leigh Brackett.
Once upon a time, a writer taking on a big publisher like that remained secret, partly so that the writer could sell another book. (Even then, the large publisher would often bad-mouth the writer in private to any other publisher who would listen.)
Times have changed.
Kessa possesses only small magic. But her skills allow her to help those who wield bigger magic.
Her latest job takes her deep into the bowels of New York City’s subway system, hunting for bits of history long since forgotten.
And what she finds deep down in the dark will both threaten her life and change it forever.
If you’ve come to my website the past few days, you might have seen the bundle on the slider at the top. The Women in Science Fiction Storybundle started last week. I’m the one who curated (read: assembled) the bundle. I suggested it to Storybundle’s Jason Chen as I was putting together a proposal for […]
The traditional publishers are screaming about Amazon. I’ve learned over the years that when someone screams about something, they’re doing so because they feel some kind of pressure, some kind of pinch.
How could traditional publishers be feeling a pinch from Amazon? After all, in the United States, Amazon is selling more books than any other retailer. Why would that hurt traditional publishers? Is it hurting traditional publishers?