Over the years, I have become fascinated with writers’ attitudes towards contracts. Writers are so very cavalier about them. Most writers pay no attention to their publishing contracts at all until some term bites them in the ass. Then the writer tries to figure out how to get out of it, not realizing that they got themselves into it by signing the contract without examining it. Indie writers have a different problem with contracts. Indie writers believe they don’t need any…Read More
I had a dry spell for news during the month of March, but as the rains ease in the Northwest, the writing news dry spell ends as well. Or something like that. Yes, I’m mixing metaphors. And not very successfully. First, the latest volume of Fiction River just appeared. Sparks, edited by Rebecca Moesta, contains […]Read More
Funeral directors deal with everything at a funeral, but only a few must handle an influx of flower fairies. Or worse: the arrival of a flower fairy child, alone and unsupervised. Flower fairies are unpredictable…except when they get angry. And then they become terrifying. So, what will they do if they think one of their children faces danger? “Flower Fairies” by New York Times bestselling author Kristine Kathryn Rusch is free on this website for one week only.Read More
I have come to the point where I can’t ignore the contractual changes in the industry any longer. The topic has become so large that I will probably end up with two books out of it: The revised Dealbreakers, and a book on contracts. When I start discussing contracts, most indie writers tune out. But they shouldn’t. Indie writers sign contracts all the time. Some are for foreign editions. Some are for short fiction. Some are with their cover designer. Some disguise themselves as terms of service.
Not everything I write here will apply to the indie writer, but much of it will.
Remember: the more you understand about this business, the better off you will be. And the harder it will be to take you off-guard….Read More
Every frequent flyer shares a nightmare—trapped inside a plane in trouble. The key? Don’t think about it. Until you sit next to the wrong woman on the wrong flight on the wrong day… “Turbulence” by New York Times bestselling author Kristine Kathryn Rusch is free on this website for one week only. The story’s also available as an […]Read More
Normally when I have blog with this title, I’m discussing the choices writers make in this new world of publishing. But this blog is different. This blog is about consumer choice.Read More
Portia Meadows runs one of the few pet stores that sells familiars to the magical. Familiars—delicate, moody creatures—keep magic clean and pure. To lose a familiar means losing magic. And on a bright afternoon, Portia’s assistant discovers that something essential has disappeared, threatening not just the magical within the store, but throughout the world.
“The Poop Thief” by New York Times bestselling author Kristine Kathryn Rusch is free on this website for one week only.
As I wrote earlier this year, the changes in the publishing industry continue to smack me in the head. I learned the old publishing industry very well—the one that existed from the mid-1970s to the late 1990s. I survived the early 2000s, and then indie publishing came along. I started this blog—in a different form […]Read More
In an alternate post-Civil War Chicago, the citizens still remember the day the Gondolas sent by the South died and the city burned—again. Lou, a Pinkerton detective, uses magic to hunt down the Gondola pilots, now called Gondola widows. She thought she had caught them all. But when evidence comes to light that one last […]Read More
Nowadays, indie writers hire their own copyeditors. And worry that the copyeditor knows more about details of grammar than the indie writers do. Chances are the copyeditor does know more about the details of grammar than the writer does. Chances are the copyeditor even knows the parts of speech. But the copyeditor does not know how to tell a good story. The writer does.Read More