I’m so excited about this particular Storybundle that I’m a part of. First, I love every writer in it. All of them have appeared in Fiction River, and all of them write great fiction. You’ll find Lisa Silverthorne’s Isabel’s Tears, a novel about a magical inn; Dayle A. Dermatis’ Waking the Witch, a gothic mystery novel with some paranormal elements and a light romance; […]
While I was digging deep into the ugliness that traditional publishing contracts have devolved into, the indie publishing world has grown and changed and become even more positive. More than a light at the end of the tunnel, the indie world has become a haven to those of us willing to work hard and to understand that real achievement takes time. It amazes me how […]
Okay, I’m not completely a slacker. But I’ve been slow in updating you on all that’s been going on. That’s partly because I’ve been writing a Diving Universe novel that kicked my butt all winter. I finished draft one yesterday. Yes, I said Diving Universe. I started out writing a novella to explain something to myself, and ended up with at least 100,000 words. (That’s […]
Fortunately for me, indie publishing came along. I was able to get out of the traditional publishing novel merry-go-round, which never suited me, and able to publish my novels on my own.
There are a lot of capable people working in traditional publishing, some fantastic editors, and publishers who really care about writers and books. I love working with those people. I consider it a privilege to interact with them.
But now, I’m straddling both worlds, and I find myself a bit overwhelmed by the weirdness of both pace and deadlines.
Over the weekend, I headed to traditional publishers’ websites and look at their paranormal romance covers only to discover…that the damn books are branded like urban fantasy or like an E.L. James knockoff or like a cookbook or travelogue. All of this points out a huge problem in the paranormal romance genre. There’s nothing that screams modern paranormal romance. Believe me when I tell you that readers look for such things.
I’m having a fascinating spring. I’m watching two of our employees make themselves indispensable. Dean and I have owned businesses, together and separately, for decades. Not just our writing businesses, but publishing businesses, retail businesses, and a host of other businesses. When we ran Pulphouse Publishing, we had one employee who was indispensable—Debb De Noux, whom everyone knew back then as Debra Gray Cook. When […]
It’s been a long time since I’ve spoken to a bunch of writers at the very beginning of their careers. When Dean and I teach our in-person workshops, we teach professional writers. With our online workshops and lectures, we deal with writers who are just starting out, but we don’t interact in person. (I’m not saying beginning writers here, because that’s not what I mean. […]
The books are moving through the system. Vigilantes has come back from the content editor yesterday. I have a bit of work to do to rearrange that one, which is not a surprise. The Peyti Crisis just went to the copy editor. And I’m nearly done with Starbase Human, although that book is turning out much longer than expected. Two short stories related to Starbase Human will appear before […]
I’m buried so deep in this Retrieval Artist saga that my brain currently resides on the Moon. Those of you who read the Retrieval Artist know what I mean. The rest of you are probably aware that I’m writing something huge, but you haven’t read any Retrieval Artist stuff, so you’re feeling a bit… Well, I’d like to say left out, but you’re probably not. […]
Every now and then, indie writers erupt into discussions of price. Writers remain convinced—no matter how much logic you show them—that readers won’t buy a book written by a new writer unless that book is cheap. If that statement were true, then traditional publishing would not exist. Traditional publishing—as long as it has been around—has sold books by new writers at the same price as […]