Once I separated out the Big Five from all of the other traditional publishers in the U.S., I came to a happy realization. There are a lot of good publishers doing the kind of work we readers want publishers to do—curating books with a voice and an attitude, so that we know what to expect from the company, marketing those books to the best of their ability, and making the books available in all formats.
This post is for the hybrid writers, the ones who want to be part indie and part traditional.
What will you get if you go with the Big Five? Not money. Your book might become a Netflix series. You might become a household word. And you’ll probably still need your day job.
In 2014, I wrote a year end wrap-up, looking at all aspects of publishing. I had done that for me more than for any other reason. You see, in 2014, I wrote six books of the Anniversary Day saga and the project ate my brain. I couldn’t concentrate on anything else. I had stopped doing the blog toward the end of the saga because […]
If you want to sustain your writing and publishing businesses, you have to stop thinking like a manufacturer.
I just had the most illuminating conversation. I had been consulting with someone about one of the TV deals I’m currently negotiating. I had run into a situation I had never encountered before, and I needed help evaluating it. No one I knew personally could help me. Either my good friends had not done a TV deal in years or they had let their agent […]
I blame Marvel. As I finished my Kris Nelscott/Smokey Dalton novel, Stone Cribs, I realized that the victim in the book, Valentina Wilson, was one amazing woman. And she needed a story arc all her own. I knew how she was going to end up, and who she would be years after the events in Stone Cribs, but I needed to write the story […]
I remember how overwhelming it was for me to make the transition to mostly indie. I’m not entirely indie. My short fiction is still hybrid, as is all of my work in translation. But I can’t see any situation where I would ever go back to a traditional publisher for my novels. The contracts are awful, the lack of support profound, and the benefits nearly nonexistent.
The traditionally published writers who are being cut loose or who are being offered terrible deals are just beginning to realize this. And they’re at a complete loss as to what to do.
I feel for them. I really do.
I live in the zone of totality for the Great American Solar Eclipse of 2017. The eclipse happened on Monday morning, August 21, 2017. My little town, Lincoln City, Oregon, was where the eclipse hit landfall first in the United States. The eclipse then cut across the entire country, sending a shadow across America. The actual eclipse took about 90 minutes to travel from sea […]
Writers always believe that they can become a bestseller if they only goose their sales properly. I actually had a brand-new writer scream at me once about this very thing. Back in the early days of Amazon’s Kindle, she had “sold” 50,000 copies of her only novel by giving it away for free. “I’ll take my 50,000 sales over your sales any day,” she […]