As I thought of all that writing I wasn’t doing because of promoting my own projects, I had been feeling sorry for myself.
And then I flashed back on that conversation with friends who were trying to sell to a traditional publishing house and who weren’t getting anything back from that house. The house expected those writers to do what indie writers do, and get paid less for it.
My realization? Pretty simple, really…
Over the weekend, I headed to traditional publishers’ websites and look at their paranormal romance covers only to discover…that the damn books are branded like urban fantasy or like an E.L. James knockoff or like a cookbook or travelogue. All of this points out a huge problem in the paranormal romance genre. There’s nothing that screams modern paranormal romance. Believe me when I tell you that readers look for such things.
Eighteen months ago, I thought the Anniversary Day Saga would never end. I wrote a part of it, finished that, then wrote another part, reassembled the entire story, and wrote yet another part. Eventually I figured out how all the pieces went together. But for someone like me, someone who jumps from project to project, […]
I’m having a fascinating spring. I’m watching two of our employees make themselves indispensable. Dean and I have owned businesses, together and separately, for decades. Not just our writing businesses, but publishing businesses, retail businesses, and a host of other businesses. When we ran Pulphouse Publishing, we had one employee who was indispensable—Debb De Noux, […]
This week, I did something I hadn’t done in nearly five years: I wrote a book proposal. Yep, I hit upon a project that I think would be better off produced through a traditional publishing company. If the proposal does its job, and the project sells, I’ll be more forthcoming about what the project is […]