Fortunately for me, indie publishing came along. I was able to get out of the traditional publishing novel merry-go-round, which never suited me, and able to publish my novels on my own.
There are a lot of capable people working in traditional publishing, some fantastic editors, and publishers who really care about writers and books. I love working with those people. I consider it a privilege to interact with them.
But now, I’m straddling both worlds, and I find myself a bit overwhelmed by the weirdness of both pace and deadlines.
Today’s a big day for me. Tiffany Tumbles, the first in the Interim Fates series, hits print. Getting Tiffany in front of you readers took some work—and I don’t just mean the writing. The Interim Fates appeared one afternoon as I wrote the Fates series under my Kristine Grayson pen name. The Fates got demoted, […]
As I thought of all that writing I wasn’t doing because of promoting my own projects, I had been feeling sorry for myself.
And then I flashed back on that conversation with friends who were trying to sell to a traditional publishing house and who weren’t getting anything back from that house. The house expected those writers to do what indie writers do, and get paid less for it.
My realization? Pretty simple, really…
Over the weekend, I headed to traditional publishers’ websites and look at their paranormal romance covers only to discover…that the damn books are branded like urban fantasy or like an E.L. James knockoff or like a cookbook or travelogue. All of this points out a huge problem in the paranormal romance genre. There’s nothing that screams modern paranormal romance. Believe me when I tell you that readers look for such things.
Eighteen months ago, I thought the Anniversary Day Saga would never end. I wrote a part of it, finished that, then wrote another part, reassembled the entire story, and wrote yet another part. Eventually I figured out how all the pieces went together. But for someone like me, someone who jumps from project to project, […]
I’m having a fascinating spring. I’m watching two of our employees make themselves indispensable. Dean and I have owned businesses, together and separately, for decades. Not just our writing businesses, but publishing businesses, retail businesses, and a host of other businesses. When we ran Pulphouse Publishing, we had one employee who was indispensable—Debb De Noux, […]
This week, I did something I hadn’t done in nearly five years: I wrote a book proposal. Yep, I hit upon a project that I think would be better off produced through a traditional publishing company. If the proposal does its job, and the project sells, I’ll be more forthcoming about what the project is […]
It’s been a long time since I’ve spoken to a bunch of writers at the very beginning of their careers. When Dean and I teach our in-person workshops, we teach professional writers. With our online workshops and lectures, we deal with writers who are just starting out, but we don’t interact in person. (I’m not […]
In the past two weeks, I wrote two year-in-review posts, “What Traditional Publishing Learned in 2014,” and “Things Indie Writers Learned in 2014.” Those two posts came after I started this one. I’ve been writing bits of this one off and on since October, as the year has become clearer in my brain. Usually, I […]
Publishers Weekly scored the first review for the new books in the Anniversary Day Saga. PW loved A Murder of Clones.