Last week’s blog, “The People in Your Office,” sparked a lot of discussion on writer and reader websites. The comments section deals with both points of view as well. A lot of the comments have rattled around in my brain since the post went up. I love how Jonathan Moeller summarized one part of it: I really think that two of the keys for long-term […]
So, it happened again. A big name fantasy writer made his fans angry because the next book in his series hasn’t appeared in years. And, in a passing remark, he compared the comments fans make on his overdue book to those comments people make to their unemployed adult child about getting a job or to their single grandkid about getting married. Patrick Rothfuss made the […]
Every year, we hold a Business Master Class at the Oregon Coast. We gather a lot of knowledge and boot-strap information. All of us are indie or hybrid, and we’re looking for ways to improve our careers. And some of this is for me, since traveling to a big conference like NINC is exceedingly difficult for me (I can’t fly any more) and I’d […]
I just had the most illuminating conversation. I had been consulting with someone about one of the TV deals I’m currently negotiating. I had run into a situation I had never encountered before, and I needed help evaluating it. No one I knew personally could help me. Either my good friends had not done a TV deal in years or they had let their agent […]
I’m almost terrified to write this post. Shortly after I wrote the last one, my year imploded—and it had been a tough year anyway. Until today, I had actually forgotten that I had written the third process blog. All of the things I developed lasted about two weeks, before I tumbled off the edge of the universe into real life for a while. I […]
One of my traditional publishers paid me in September. I was surprised. Not because I didn’t know about the money. I did. It was an advance for rights in translation for an entire series of books. I was surprised because the contract called for payment to arrive within 60 days of the contract’s final date…and lo and behold, the payment arrived just like it was […]
I mentioned a few posts back that I would have a lot of news this fall. And I do. It stuns me. First, let me thank all the people who have supported the Pulphouse Kickstarter so far. As I write this, we’ve hit two of our stretch goals and are halfway to the third. The first stretch goal guaranteed an extra electronic issue of the […]
I was trained in traditional publishing, where writers go begging for opportunity. Writers are taught to beg, from professors (let me into your class!) to critique groups (is my writing good enough?) to agents (will you take me on?) to publishers (will you buy my book?).
We’re not trained to value what we’ve built.
I blame Marvel. As I finished my Kris Nelscott/Smokey Dalton novel, Stone Cribs, I realized that the victim in the book, Valentina Wilson, was one amazing woman. And she needed a story arc all her own. I knew how she was going to end up, and who she would be years after the events in Stone Cribs, but I needed to write the story […]
I remember how overwhelming it was for me to make the transition to mostly indie. I’m not entirely indie. My short fiction is still hybrid, as is all of my work in translation. But I can’t see any situation where I would ever go back to a traditional publisher for my novels. The contracts are awful, the lack of support profound, and the benefits nearly nonexistent.
The traditionally published writers who are being cut loose or who are being offered terrible deals are just beginning to realize this. And they’re at a complete loss as to what to do.
I feel for them. I really do.