The problem with the hamster wheel school of writing is that at a certain point all of that love of writing, all of that joy in storytelling, goes out the window, and writing becomes drudgery. It’s not fun to write the same story over and over again. It’s not fun to write stories on topics you hate. It’s not fun to write in genres you loathe.
So many writers are doing that, though, and have no idea how to quit…
In the late 1980s, some functionary at a record label fielded a call about a song called “Private Idaho,” by the B-52s. The song was never a major hit, although by the time that phone call got made, the B-52s were topping the charts with a song called “Love Shack.” The caller wanted to use the song in an upcoming movie written and directed by […]
I turned off the TV much of the month, and decreased my consumption of news, out of necessity. I can’t watch the images of my country doing things I so deeply hate. I do read about these things on my phone (thank heavens for notifications!) so I’m not uninformed. I’m just not losing myself in the imagery, which is probably good for my mental health. […]
Well, you see, I’ve still been noodling the question I asked last week about the writers trying to game Amazon’s algorithms and seem to have lost the heart of their writing. What motivates them?
I know a lot of real writers—and you probably do too—who are still trying to game those algorithms. Those are the people I’m trying to figure out.
And Chef’d and MoviePass helped explain them to me.
I don’t get it. I really don’t. You’d think they all started out wanting to tell their own stories. You’d think they identified themselves as writers first, not book stuffers or algorithm gamers. But I have no idea, really, and I’ve been part of the indie movement almost from the beginning. You see, at lunch today, I finally had a chance to read Sarah Jeong’s […]
When I teach craft workshops, one of the things I work on the hardest is teaching writers the difference between taste and “good fiction.” I put “good fiction” in quotes, because there seems to be this belief among most writers and readers that “good fiction” is something quantifiable. Certain books are “good” because they have elements that professors approve of, or elements that the culture […]
Jonathan Alexander Nicholas Ashworth the Fourth—called Nico—fears nothing. He lives a life of power, prestige, money. He makes his own way, but when that fails, he uses fixers, the best money can buy.
Until FoL begins targeting him. Against FoL, fixers can’t help him.
Can he help himself? Or will FoL win?
A powerful story about truth and consequences.
“FoL,” by New York Times bestselling author Kristine Kathryn Rusch, is free on this website for one week only.
A lot of times on this blog, I deal with the problems in publishing. Bad problems, like agents embezzling, traditional publishers not paying royalties, income going down, or sales not up to expectations. In the early days of indie publishing, I would also blog about the problems of success. In our workshops and classes, we call them problems you trade up for. Just because a […]
It took me a long time to learn that negotiation is all about strength. If you say, My agent or my lawyer too many times in the middle of a negotiation, the person on the other side of that negotiation won’t want to talk to you. You’re not the one with power.
I think the moment writers dream of being published, they have the same wish. They want to write the books of their heart. They want those books to reach a vast audience, and they want someone else to worry about doing all the things that turn a book from a rectangular object on a shelf into a vast global empire a la Harry Potter. Most […]