So, those of you who regularly read this blog are thinking, now are we going to talk about how much we can earn? Yeah, kinda sorta. I want those of you who haven’t yet read this series to read two posts: the decision tree and the first post on money. (Actually, I’d love to have you read the entire series, but that’ll take some time. […]
So I freaked some of you out with the Decision Tree for licensing projects, which was the subject of the last post. I know this because many of you defaulted to the tried-and-true “I’m not famous enough yet,” which I dealt with in the previous post. The thing is, folks, you license your writing/work/characters/setting the moment you send it into the public sphere, whether you […]
The eagle-eyed among you will note that we changed the cover of the brand-new Kristine Grayson release about two weeks after the book came out. Allyson Longuiera, the publisher of WMG and our designer, discusses the reasons why in her blog of a few weeks ago. The short version is really simple: the art on the cover appeared on another book first. Another fairy tale […]
I didn’t mean to go down the rabbit hole this afternoon. I blame Led Zeppelin. Seriously. I blame them. In mid-May, I flagged an article on Rollingstone.com titled “The Eternal Revenue Stream of Led Zeppelin.” I had no real idea what the article was about, but I figured it might be important for writers, because the music business is always way ahead of the next […]
On February 9, The Passive Voice published a piece titled “The Beginning of the End for Patreon.” [link] As he so often does, the Passive Guy linked to another blog post, and then did his own riff on that post. The other blog post is worth reading. It’s by Nate Hoffelder of The Digital Reader, and discusses Patreon’s viability. As the Passive Guy investigated the […]
Initially, I started this post as a highlight reel of things that we need to pay attention to in 2019, but which I don’t have the time to explore deeply. I started with audio, and although I don’t have the time to explore audio deeply even in this post, just explaining where we are took more words than I had planned. (Please note that I […]
One of the major reasons I write a lot about contracts and negotiation is because in the entertainment field, which is where we writers work, contracts are a nightmare. They’re often written by people who are not lawyers (agent contracts with writers) or negotiated by people who are not lawyers (publishing contracts negotiated by an agent for a writer) or are based on “accepted practices” […]
I just had the most illuminating conversation. I had been consulting with someone about one of the TV deals I’m currently negotiating. I had run into a situation I had never encountered before, and I needed help evaluating it. No one I knew personally could help me. Either my good friends had not done a TV deal in years or they had let their agent […]
In dealing with movie and TV producers, and foreign rights publishers, and pretty much anyone who wants subsidiary rights to my book, I hold all of the power in the negotiation.
I know, I know. A bunch of you just did double-takes. How can I have more power than a Hollywood studio?