Business Musings: How Writers Fail (Part 10): The Problems in Your Writing Are The Problems in Your Life

The first time I ever heard the saying, “The problems in your writing are the problems in your life,” I was having a conversation with Harlan Ellison about editing. Back when I was editing Pulphouse: The Hardback Magazine, I was feeling my way around editing fiction. I had run a newsroom and put out a nightly half-hour newscast. Producing a newscast is editing. You assign […]

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Business Musings: The People in Our Offices

I’m tired. Emotionally tired. My world is changing, and personally, I wasn’t prepared for it. That my world is changing while the greater world—the real world—is also changing is just serendipity, I guess. I’ve blogged about the larger changes, just a bit, talking about how to write in dark times, but some of that post is also about writing while bad things are happening to […]

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The Business Rusch: Career Writers

 Those of us who blog regularly about the changes in the publishing industry do not do so from the place of disinterested observers. Even though a few of us are former journalists, we’re not writing like the journalists we once were. Yes, we’re imparting information, but we’re imparting information with a bias. For those of us who were formerly in the midlist, our bias is […]

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The Business Rusch: Watching The Numbers

 I should never read the comments on other people’s writing information blogs. The comments discourage me, generally for one of two reasons. If the blog is about traditional publishing, and the authors are traditionally published only with no desire to change, I get discouraged at the amount of misinformation. If the blog is about indie publishing, I get discouraged because successful indie publishing writers think […]

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The Business Rusch: Writers: Will Work For Cheap

The Business Rusch: Writers: Will Work For Cheap Kristine Kathryn Rusch Here’s something that has nagged at me since the start of the indie publishing revolution: writers—published writers—dismissing money as a factor in publishing their work. The argument goes like this: Traditionally Published Writer A says she’ll never self-publish. When told that her $5000 advance is the only money she’ll make on that book, she […]

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