For more than a decade, writers have asked me what they can do to sell their existing books. I always tell them to write the next book. Some writers don’t have time for promotion. Others don’t have the constitution for it. But all the ads in the world don’t work unless the writer has a lot of inventory. And when the reader is done with […]
This post is probably just for me and Dean and other copyright geeks out there in the world. And it’s mostly U.S. specific, although we will touch on Duran Duran and U.K. law farther downstream. Also, it’s important for you all to note that I am writing this blog in January. Some of the cases I mention here are ongoing and might have developments that […]
This post is for the hybrid writers, the ones who want to be part indie and part traditional.
What will you get if you go with the Big Five? Not money. Your book might become a Netflix series. You might become a household word. And you’ll probably still need your day job.
I blame Marvel. As I finished my Kris Nelscott/Smokey Dalton novel, Stone Cribs, I realized that the victim in the book, Valentina Wilson, was one amazing woman. And she needed a story arc all her own. I knew how she was going to end up, and who she would be years after the events in Stone Cribs, but I needed to write the story […]
As promised, I’m doing a lot of catch-up on the state of the publishing industry at the beginning of 2016. The reading is illuminating. Many things seem similar to the situation at this point last year, and many others seem so wildly different that it’s hard to believe only a year has gone by. I haven’t had time to read all I want to read, […]