Maxwell Scobel writes about heroes for a living. He studies them, imagines them, imagines being them. But when a routine drive turns into a fight for his life—and the life of his soon-to-be-adopted three-year-old daughter—he must rise to the occasion. Or lose everything he never knew he held dear. Voted one of the top ten stories of the year by Ellery Queen Mystery Magazine readers. […]
Every time I log onto my Twitter feed, everyone is screaming at everyone else about something. Even my go-to writers are angry right now. I logged onto #Caturday last Saturday, terrified that the silly cat pictures had devolved into some kind of war between Siamese and tortoise shells, but I haven’t found that so far. Although this photo gave me a moment of concern: Granted, […]
If you’re a writer and, more specifically, if you’re an indie writer, there’s a lot of opportunity in the bookstore and library markets. Yes, indeedy, I’m talking brick-and-mortar stuff. First, a reminder: I’m doing a short series reviewing 2018 with an eye toward 2019. If you have not read the first post in this series, please do so. I will be referring to it throughout […]
Mellie keeps a secret: she blames fairy tales for ruining her life. She believes she can stop fairy tales from ruining other people’s lives by forcing booksellers to stop selling fairy tales.
But on the way to her protest at a book fair, she runs into a handsome man. A very handsome man who also happens to be Prince Charming. And he loves books. Even fairy tales.
The short story that provided the inspiration for Grayson’s paranormal romance novel, Wickedly Charming.
“The Charming Way,” by bestselling author Kristine Grayson, is free on this website for one week only.
I was in the middle of a long blog post about writers licensing the rights to their work when the news broke about Donadio & Olson embezzling from their clients. I stopped what I was working on and wrote a different post, because I finally had public proof of something I’d been saying for years: that important, well-known literary agents mismanage and/or embezzle the monies […]
Stacey lives in the past, writing kick-ass bestselling historical books. When she researches a topic, she loses herself in her work.
She knows the Chicago Public Library inside and out. And she prefers to work alone. Until Greg—handsome, compelling, and a research librarian?—offers to help.
Can Greg help Stacey find the information she seeks? Or will they find something else entirely?
“Research and the Research Librarian,” by New York Times bestselling author Kristine Kathryn Rusch, is free on this website for one week only.
The entire neighborhood hates Wicked the dog. Wicked, the aptly named baggage that arrived with Ike’s daughter and granddaughter after they escaped his bastard son-in-law.
Wicked barks all the time—until the day he gets kidnapped, and the entire neighborhood spirals out of control.
“The Disappearance of Wicked,” by New York Times author Kristine Kathryn Rusch is free on this website for one week only.
Brand Identity is how you want customers to perceive your brand. Right now, remember, we’re dealing with building the brand. So you get to think about how you want that brand to be perceived. You need to imagine your target as you develop your brand identity. What do you want your target audience to think about your brand?
Let’s start wide with the overall steps to building a brand identity, and then I’ll refine for writers.
Paige Racette envisioned the perfect man over and over in her romance novels.
But when Josiah Wells starts using those novels as a blueprint for the way to romance her, she finds the attention creepy, not attractive.
When Wells escalates, adding violence to his role-playing, Paige realizes she must escape the perfect man. But she might find help from someone unexpected—someone a little more flawed, a little less perfect.
“The Perfect Man,” by New York Times bestselling author Kristine Kathryn Rusch, was chosen as one of the best short stories of 2003 and is free on this website for one week only.
In talking to hybrid writers, I did miss something. It only concerned a handful of writers, and most of them only wrote one series. These writers would email me after they had indie-released a new book or two in their existing series, and complain that the series wasn’t growing.
When these writers were traditionally published, the series grew well. Each book sold better than the last. Now, even taking into account the year or so of sales, the books sold at the same number of copies or less than the previous volumes had.
I couldn’t figure it out…